1
Load-in
We see the room while the cases are still in the lobby.
The plot is shared between stills and motion from the first recce. Colour sits in pre-production, not after picture lock. Finishing is not a stranger at the end of the job, and the archive is named so another team can open it a year later.
We see the room while the cases are still in the lobby.
The room without people, in the house light.
The late set, from the side, not the pit.
Grade keeps the sandstone. No teal night.
Stills for the poster, a cut for the next date.